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Magma ExpressBox 3T

15 November 2013 in System Expansion

The Magma ExpressBox 3T provides three full-length PCIe slots in a small desktop enclosure with a pair of Thunderbolt ports…

Yellow Technology GrandStand

27 November 2014 in Integration Hardware

After many years of having to make do with what the market had to offer in terms of loudspeaker stands,…

ADAM A77X

04 March 2014 in Loudspeakers

We have long considered ADAM to make the best ribbon-tweeter based studio monitors available. Their S3A was a real favourite…

George Fenton

02 October 2013 in Composers, Writers and Arrangers

George has been a client of Yellow Technology since 2003.  In 2007 we consulted on and built a new studio…

Simon Russell

12 September 2013 in Composers, Writers and Arrangers

Simon was one of Yellow Technology's very first clients, having been recommended through our work with the Chapell Recorded Music…

David Poore

01 October 2013 in Composers, Writers and Arrangers

We started work with David in 2009, consulting on the refurbishment of his Bristol-based studio. This included the design and…

VSL Vienna Special Edition

20 June 2013 in Sample Libraries

Vienna Symphonic Library's Special Edition series aims to bring the most useful contents of the extensive Symphonic Cube library into the reach of mere…

Audient ASP008

20 June 2013 in Microphone Preamplifiers

The Audient ASP008 is an 8-channel microphone preamp with optional analog-to-digital conversion. The ASP008 takes the preamps from Audient's ASP8024…

RME Fireface UFX

02 July 2012 in Audio Interfaces

The RME Fireface UFX is a FireWire and USB audio interface supporting up to 30 channels of I/O, comprising 12…

ATC SCM50 A PRO

20 June 2013 in Loudspeakers

The SCM50 has long been the mid-field monitor of choice for many audio professionals across the world. Over the years…

ADAM A5X

20 June 2013 in Loudspeakers

A number of ADAM loudspeakers have formed part of our product portfolio for many years now. ADAM have managed to…

Product Portfolio

A number of ADAM loudspeakers have formed part of our product portfolio for many years now. ADAM have managed to integrate ribbon tweeter technology into professional monitors more effectively than most, often successfully reproducing exceptional high-frequency detail, while maintaining a faithful midrange. Whilst its not quite the smallest speaker in the ADAM range, we’ve found the A5X to be about the most compact monitor available that does reliably facilitate professional-level critical listening. Despite its size, the A5X has a surprisingly powerful low end. Many of our clients have noted how…
We have long considered ADAM to make the best ribbon-tweeter based studio monitors available. Their S3A was a real favourite among our clients, particularly composers and producers, combining unparalleled quality of high-frequency detail with a really responsive low end. Since the discontinuation of the S3A, ADAM have offered the S3X-H, S3X-V and A77X as alternatives, the latter being the most popular among our client base. The A77X utilises the proprietary X-ART ribbon tweeter, found in all other current ADAM professional monitors. The reproduction of high frequencies is exceptionally revealing and…
The SCM50 has long been the mid-field monitor of choice for many audio professionals across the world. Over the years we’ve had the opportunity to listen them next to a whole host of competitors and whilst personal preferences always differ at this end of the market, the SCM50 remains a serious contender for the main monitors in many small/medium studios. For many, the SCM50 represents unparalleled accuracy throughout the mid-range. We often find ourselves criticising rival loudspeakers for being overly flattering in mix areas notorious for spectral congestion. Inaccuracies (often…
The Audient ASP008 is an 8-channel microphone preamp with optional analog-to-digital conversion. The ASP008 takes the preamps from Audient's ASP8024 analogue console, popular for providing a clean and transparent sound, and places them in a 1U rack mount unit. Each channel has the usual set of features that are expected of a mic preamp: input gain, phantom power, variable high-pass filter, signal present and clipping lights, and a line level input. Channels 1 and 2 also feature a high impedance input for direct input of guitar or bass. The line-level…
The Magma ExpressBox 3T provides three full-length PCIe slots in a small desktop enclosure with a pair of Thunderbolt ports for connection to Thunderbolt-equipped CPUs, such as the Apple iMac, MacBook Pro and the new Mac Pro, expected in December 2013.  There are also various PC motherboards available that can support Thunderbolt, but this solution is rather more pressing for the Apple community, now that Apple no longer produce a CPU with PCIe slots.  This unit is particularly relevant to the audio industry, where the Mac operating system prevails and…
The RME Fireface UFX is a FireWire and USB audio interface supporting up to 30 channels of I/O, comprising 12 channels of analogue I/O (including 4 microphone / instrument inputs, which use the same technology of the RME Micstacy) and 18 channels of digital I/O (2 x AES and 16 x ADAT, running at all conventional sampling frequencies up to 192kHz). Also included are two pairs of MIDI I/O and word clock I/O (with a switchable 75Ω termination). The software included with the Fireface UFX is an evolvement of the…
Vienna Symphonic Library's Special Edition series aims to bring the most useful contents of the extensive Symphonic Cube library into the reach of mere mortals. By including the most-commonly used articulations of the most-commonly-used instruments, VSL have created a compact and affordable library which fills the need for 90% of orchestral writing.   Since their first releases in 2003, the VSL name has been synonymous with high-quality, realistic and playable orchestral samples. Recorded in their purpose-built Silent Stage studio outside Vienna, the samples are edited in-house and coupled with custom-developed virtual instrument software. VSL focus on…
After many years of having to make do with what the market had to offer in terms of loudspeaker stands, we decided it was time to design our own.  And so the GrandStand was born. There were several key features we knew we wanted to incorporate into the design: Rigidity: The stands needed to be rigid and robust enough to support all but the largest of loudspeakers without flinching.  The most important thing about a loudspeaker stand is that it doesn't move with the loudspeaker.  The GrandStand is heavy duty,…